| http://www.w3.org/ns/prov#value | - The 1970s, oddly enough, were more open about matters of race and sexuality, and this film goes further in either area than Tarantino's similarly rooted DJANGO UNCHAINED, though Tarantino's film is an entertainment intending to tease subject matter of lingering sensitivity rather than seriously confront it. (The photo above shows James Mason as slave master Warren Maxwell, using an African-America
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