| http://www.w3.org/ns/prov#value | - But things have been changing, and some original instruments groups (as well as conductors such as Harnoncourt who first made their names in such groups) now go in for personalised interpretation, crescendi and diminuendi and a manicured style of phrasing as extreme as any romantic conductor???s, but without creating a romantic effect (I am thinking, for example, of the Galuppi concerto under Ren?
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